A move back to our roots: more wood and clay and less plastic

by Michael Smith (Veshengro)

23213129_1845303528843664_4872651655123413633_oBefore plastic became ubiquitous, many kitchen items were made from wood or pottery, that is to say clay, and also from metal. Predominately the material was wood and pottery; metal in the form of copper, lead, bronze and then finally iron, from whence came steel, including stainless steel, came into the equation much later.

The anti-plastic movement is gaining strength as more people realize the folly of using a material that not only leaches chemicals into our bodies, food, and environment, but also does not biodegrade. The movement has taken many shapes and forms, from no-straw campaigns to the zero waste lifestyle to more natural-fiber clothing.

But there is plastic and there is plastic in this context and while, yes, predominately, though not entirely anymore, plastic is made from oil and thus not very sustainable and all that, some plastic is better than other. The main concern, in the general context of getting away from plastic, is the disposable kind, the stuff that really no one needs and that ends up in our countryside, rivers and the seas.

Children are the key to the future so it is the children, therefore, first and foremost that we must educate about the “back to our roots” way of using natural materials. Once kids’ habits change (through education), they will influence their parents to change, while holding them accountable.

To this end teaching children the making of things from natural materials, such as making a wooden spatula or even a spoon, and in that case an eating spoon just right for them, and making a piece of pottery, would be the order of the day.

There was, once, a time when all schools were teaching handcrafts, especially woodwork and pottery but today that is all but gone.

When a child makes something him- or herself, for personal use especially, this product will have a special value for them – and thus we should teach them to aim for the best they can do.

But it should not stop at wood and clay (pottery) but include also the making of products from other, ideally natural materials, by hand and schools – and other places – must be at the forefront again for children – and not just children – to learn again the skills and the joys of making. Textiles, leather, and also metals, should be included.

While in regards to wood, pottery, and even textiles, the entire process can become part of the learning process with leather and metals it is somewhat of as different story. Working with wood and clay for pottery the process goes from natural to made product easy. With textiles it is a little more complicated. Wool needs to be shorn off the sheep, then made into yarn and then worked either by knitting, weaving or otherwise. Even more work is involved in the making of cotton, canvas and linen. And metals are getting even more complicated.

Having said that, however, does not mean that the skills of working those materials should not be taught; they should, as they once were. They should also be taught to both genders, as far as schools are concerned. Boys and men should know how to sew as well, not just girls and women, and the same goes for mending. We must remember that traditionally in the past the tailor was male. Also the cooks – chefs – in inns and hotels were (and often still are) predominately male, so both cooking and sewing is not (just) something that girls and women do. But I digressed somewhat.

We must become makers again instead of being (just) consumers (and learning again to appreciate the handmade efforts of ourselves and our children – proficiency comes with time) and this making can take many forms.

And making “by hand” may not always mean absolutely without any machines. As long as your hands are still involved in the work, and your skills, and it is not an automated process you are still making whatever you are making “by hand”. The potter who uses a powered wheel rather than a kick wheel still shapes the clay by hand into the object that he or she is making. The wood-turner who is using a powered lathe rather than a foot-operated pole lathe or such, still, like the potter, shapes the object, using his hands. I am just saying.

© 2017